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Artworks

Artworks

  • Auguste RODIN, L'âge d'Airain, 1877
    Auguste RODIN
    L'âge d'Airain, 1877
    Bronze with nuanced brown patina
    104.5 x 39 x 32.6 cm (41 x 15 ¼ x 12 ¾ in.)
    Signed Rodin on the terrace along the right side, with the foundry mark Alexis Rudier / Fondeur Paris on the back right and with the inner stamp
  • Aristide MAILLOL, Grand baigneuse debout, 1900
    Aristide MAILLOL
    Grand baigneuse debout, 1900
    Bronze with nuanced brown patina
    h. 76 cm
    Monogrammed lower left: M
    Foundry mark: Alexis.Rudier Fondeur Paris on the back of the base
  • André DERAIN, La jetée à l'Estaque , 1906
    André DERAIN
    La jetée à l'Estaque , 1906
    oil on canvas
    13 x 21 5/8 in
    33 x 55 cm
  • Léon SPILLIAERT, Autoportrait sur fond bleu, 1907
    Léon SPILLIAERT
    Autoportrait sur fond bleu, 1907
    Indian Ink, coloured pencil, pastel, coloured chalk on paper mounted on canvas
    28 ¾ x 23 1/8 in.
    73 x 58,7 cm
    Signed and dated bottom right 1907/L. Spilliaert
  • Amédéo MODIGLIANI, Portrait du peintre Baranovski , 1917
    Amédéo MODIGLIANI
    Portrait du peintre Baranovski , 1917
    Oil on paper mounted on canvas
    65 x 46 cm (25.6 x 18.1 in)
  • Henri HAYDEN, À la Descente des Marins, 1917
    Henri HAYDEN
    À la Descente des Marins, 1917
    Oil on canvas
    58,5 x 72,5 cm
    23 x 28.5 in
    Signed and dated lower right: Hayden 1917
    Titled lower left: A la descente des marins
  • Ivan KLIUN, Untitled, 1920
    Ivan KLIUN
    Untitled, 1920
    Watercolor and pencil on paper
    17,2 x 12 cm
    6 ¾ x 4 ¾ in.
  • Roger de LA FRESNAYE, L'Homme au foulard rouge, 1921
    Roger de LA FRESNAYE
    L'Homme au foulard rouge, 1921
    Oil on canvas
    35 x 27 cm
    Signed and dated lower left
  • Otto MUELLER, Sitzender Akt in Landschaft, 1925
    Otto MUELLER
    Sitzender Akt in Landschaft, 1925
    Oil on canvas
    120 x 98 cm (47 ¼ x 23 ½ in.)
    Monogrammed lower left O.M.
    Signed on the reverse on the stretcher
  • Frantisek KUPKA, Etude pour traits, plans et profondeur , 1925
    Frantisek KUPKA
    Etude pour traits, plans et profondeur , 1925
    Gouache on paper
    23 x 19 cm
    9 1/8 x 7 1/2 in.
    Signed lower right Kupka
  • Frantisek KUPKA, etude pour conte de pistils et d'étamines, 1925
    Frantisek KUPKA
    etude pour conte de pistils et d'étamines, 1925
    Gouache on paper
    8 5/8 x 7 1/2 in
    22 x 19 cm
    Signed lower right Kupka
  • Léon SPILLIAERT, Le moulin entre les arbres, la nuit, 1928
    Léon SPILLIAERT
    Le moulin entre les arbres, la nuit, 1928
    Watercolor, gouache and China ink, paintbrush and plume on paper
    24 3/8 x 18 7/8 in
    62 x 48 cm
    Signed lower right : L. Spilliaert
    Signed lower left : 1928
  • Emil NOLDE, Sea under Purple Skies (Hole See unter violettem Himmel), 1930 - 1935
    Emil NOLDE
    Sea under Purple Skies (Hole See unter violettem Himmel), 1930 - 1935
    Watercolor and opaque white on Japan paper
    36,5 x 50,3 cm
    14 5/16 x 19 3/4 in.
    Signed lower right: Nolde
  • Alexander CALDER, Acrobate, 1932
    Alexander CALDER
    Acrobate, 1932
    Ink on Paper
    21 5/8 x 14 5/8 in
    55 x 37 cm
    Signed Calder lower right
  • Hans BELLMER, Tour menthe poivrée à la louange des petites filles goulues , 1934
    Hans BELLMER
    Tour menthe poivrée à la louange des petites filles goulues , 1934
    Pencil and white chalk on brown paper
    31,8 x 24,8 cm
    12 ½ x 9 ¾ in.
  • Yves Tanguy, Untitled, 1936
    Yves Tanguy
    Untitled, 1936
    Gouache on paper
    6 x 20 cm
    2 3/8 x 7 7/8 in.
    Signed and dated lower right “Yves Tanguy 36”
  • Maurice ESTÈVE, La nappe écossaise, 1938
    Maurice ESTÈVE
    La nappe écossaise, 1938
    Oil on canvas
    146 x 97 cm (57 ½ x 38 ¼ in.)
    Signed and dated lower right 'Estève 38'
  • Maurice ESTÈVE, Composition au pichet (Le verre blanc), 1942
    Maurice ESTÈVE
    Composition au pichet (Le verre blanc), 1942
    Oil on canvas
    73 x 50 cm
    28 3/4 x 19 3/4 in
    Signed lower right "Estève"
    Signed and dated on the reverse "Estève 38"
  • Pablo PICASSO (1881-1960), Le combat des centaures, 1946
    Pablo PICASSO (1881-1960)
    Le combat des centaures, 1946
    Ink on paper
    50,5 x 66 cm
    Signed lower left, dated higher left "Golfe Juan 23 aoüt 1946"
  • Karl-Jean LONGUET, Le Couple, 1946
    Karl-Jean LONGUET
    Le Couple, 1946
    Bronze
    9 7/8 x 14 1/8 x 7 in.
    25 x 36 x 18 cm
    Signed and numbered 3/6
    Foundry Mark TEP
    Posthumous cast
  • Baltasar LOBO, Femme à sa toilette, 1947
    Baltasar LOBO
    Femme à sa toilette, 1947
    Charcoal, ink and wash on paper
    49,5 x 32,5 cm (19 ½ x 12 ¾ in)
    Signed and dated lower right 'Lobo, Paris 1947'
  • Baltasar LOBO, Mère et enfant, 1947
    Baltasar LOBO
    Mère et enfant, 1947
    Bronze
    138 x 110 x 46 cm
    Signed "Lobo" and numbered 3/8
    Mark Susse Fondeur
  • Victor VASARELY, Lonique, 1952-1960
    Victor VASARELY
    Lonique, 1952-1960
    Acrylic on paper on wood
    105 x 95 cm
    Signed, dated and titled on the back
  • Simone BOISECQ, Soleil Césaire, 1953
    Simone BOISECQ
    Soleil Césaire, 1953
    Bronze
    42 x 38 x 22 cm
    16 1/2 x 15 x 8 5/8 in.
    Signed and numbered 5/6, Foundry mark TEP
  • Nicolas de STAEL, Syracuse, 1954
    Nicolas de STAEL
    Syracuse, 1954
    Oil on canvas
    81 x 65 cm
    Signed lower left : 'Staël'
    Signed, titled and dated on the reverse : 'Syracuse Staël 1954'
  • Jean-Paul RIOPELLE, Untitled, 1958
    Jean-Paul RIOPELLE
    Untitled, 1958
    Oil on canvas
    73 x 92 cm
    28 3/4 x 36 1/4 in.
    Signed and dated lower right "riopelle, 58"
  • Auguste HERBIN, Chant, 1958
    Auguste HERBIN
    Chant, 1958
    Oil on canvas
    51.3 x 38.2 in (130,3 x 97 cm)
    Signed, dated and titled lower left: Herbin 58 « chant »
  • Baltasar LOBO, Contemplation, 1960
    Baltasar LOBO
    Contemplation, 1960
    Bronze
    Conceived in 1956 and cast in bronze in an edition of 6 plus 4 artist's proofs and 2 Hors Commerce by the foundry Susse Frères, Paris. This cast was executed in bronze in 1960.
    28 x 35 x 15 cm
    11 x 13 ¾ x 5 ¾ in.
    Signed Lobo and numbered 1/6
  • Manolo MILLARES, Cuadro 121, 1960
    Manolo MILLARES
    Cuadro 121, 1960
    Mixed media on burlap
    51 1/8 x 63 3/4 in
    130 x 162 cm
    Signed lower right Millares and signed, dated and titled on the stretcher Millares – Cuadro 121(1960)
  • Maurice ESTÈVE, Montavent, 1963
    Maurice ESTÈVE
    Montavent, 1963
    Oil on canvas
    100 x 73 cm
    39.4 x 28.7 in
    Signed and dated lower left Estève 63
    Signed, dated and titled on the reverse
  • Maurice ESTÈVE, Aquarelle A – 866, 1964
    Maurice ESTÈVE
    Aquarelle A – 866, 1964
    Watercolour on paper
    49 x 62 cm (19 ½ x 20 ¼ in)
    Signed and dated lower left Estève 64
  • Baltasar LOBO, L'Éveil, 1965/1966
    Baltasar LOBO
    L'Éveil, 1965/1966
    White Carrara Marble
    17 x 25 x 12,5 cm
    6 ¾ x 9 ¾ x 5 in
  • Andy WARHOL, Larry Poons, from the series Castelli’s 11, 1967
    Andy WARHOL
    Larry Poons, from the series Castelli’s 11, 1967
    Acrylic on canvas
    15,2 x 8,9 cm
    Signed and dated 1967 on the reverse
  • Baltasar LOBO, La Femme et le Centaure, 1967-1968
    Baltasar LOBO
    La Femme et le Centaure, 1967-1968
    Terracotta
    13,5 x 16 x 10 cm
    5 ¼ x 6 ¼ x 4 in
    Signed Lobo and numbered 1/8
  • Maurice ESTÈVE, Griffon coiffé, 1968
    Maurice ESTÈVE
    Griffon coiffé, 1968
    Watercolor on paper
    24 3/4 x 18 7/8 in
    62,5 x 48 cm
    Signed and dated lower right Estève 68
    Titled, dated and numbered on the reverse
  • Maurice ESTÈVE, Aquarelle A-998, 1968
    Maurice ESTÈVE
    Aquarelle A-998, 1968
    Watercolour on paper
    50 x 65 cm (19 ¾ x 25 ½ in)
    Signed and dated lower left Estève 68
  • Maurice ESTÈVE, Aquarelle A-990, 1968
    Maurice ESTÈVE
    Aquarelle A-990, 1968
    Watercolour on paper
    52 x 37 cm (20 ½ x 14 ½ in)
    Signed and dated lower right 'Estève 68'
  • Baltasar LOBO, Pensive à genoux, 1968 - Cast in 1973
    Baltasar LOBO
    Pensive à genoux, 1968 - Cast in 1973
    Bronze with black patina
    21 x 8 x 9 cm
    8.27 x 3.14 x 3.54 in
    Signed bottom right side Lobo, and numbered E.A. 4/4
    Foundry mark Susse fondeur, Paris bottom left side
  • Balthus (Balthasar Klossowski de Rola), Nu étendu, 1969
    Balthus (Balthasar Klossowski de Rola)
    Nu étendu, 1969
    Pencil and watercolor on paper
    11 3/4 x 15 3/4 in.
    30 x 40 cm.
    Signed and dated lower left 'Balthus 1969'
  • Josef Albers, Homage to the Square : Secco , 1969
    Josef Albers
    Homage to the Square : Secco , 1969
    Oil on masonite
    45,7 x 45,7 cm
    17 3/4 x 17 3/4 in.
    At the back : signed and dated "Albers 1969", titled "Study for Homage to the Square : Secco".
  • Simon Hantaï, Etude, 1970
    Simon Hantaï
    Etude, 1970
    oil on canvas
    60 x 46 in
    152.4 x 116.8 cm
    Signed with the artist's monogram and dated ‘S.H. 70’ (lower right)
  • Baltasar LOBO, Face au vent, 1977
    Baltasar LOBO
    Face au vent, 1977
    Portugal marble
    Pedestal in marble "rose de Bourgogne"
    53,5 x 21 x 11 cm (sans socle)
    Signed
  • Joan MITCHELL, Untitled n. 17, 1977
    Joan MITCHELL
    Untitled n. 17, 1977
    Pastel on paper
    30 3/4 x 22 7/8 in
    78 x 58 cm
  • Baltasar LOBO, La Sieste, 1979
    Baltasar LOBO
    La Sieste, 1979
    White Carrara Marble
    16 x 26 x 12 cm (6 ¼ x 10 ¼ x 3 ¾ in)
    Signed
  • Jean-Michel Basquiat, Asbestos, 1982
    Jean-Michel Basquiat
    Asbestos, 1982
    Oil stick on paper
    76 x 56 cm
    30 x 22 1/4 in.
    Dated, located and signed on the back
  • Maurice ESTÈVE, Korelle, 1986
    Maurice ESTÈVE
    Korelle, 1986
    Oil on canvas
    54 x 65 cm
    21 1/4 x 25 5/8 in
    Signed upper left Estève 86
  • Pierre SOULAGES, Peinture 222 x 222cm, 15 mai 1987 , 1987
    Pierre SOULAGES
    Peinture 222 x 222cm, 15 mai 1987 , 1987
    Oil on canvas, in two parts

    left: 87 3/8 x 33 ½in. (222 x 85.2cm.)
    right: 87 3/8 x 53 7/8in. (222 x 136.8cm.)
    overall: 87 3/8 x 87 3/8in.(222 x 222cm.)
    signed, titled and dated ‘SOULAGES title “Peinture; diptyque 222 x 222cm 15 Mai 1987”’ (on the reverse of left canvas);

    signed, titled and dated ‘SOULAGES title "Peinture; diptyque 222 x 222 15 Mai 87"’ (on the reverse of right canvas)

  • Maurice ESTÈVE, Albaster, 1988
    Maurice ESTÈVE
    Albaster, 1988
    Oil on canvas
    73 x 54 cm
    28 3/4 x 21 1/4 in
    Signed lower right "Esteve 88"
  • Baltasar LOBO, Au Soleil sur Socle, 1988 – Cast in 1993
    Baltasar LOBO
    Au Soleil sur Socle, 1988 – Cast in 1993
    Bronze
    72 x 70 x 29 cm (28 ¼ x 27 ½ x 11 ½ in)
    Signed Lobo and numbered 5/8
    Foundry mark Fonderia Art F.LLI Bovincini Somma Campagna
  • Keith Haring, Untitled, 1989
    Keith Haring
    Untitled, 1989
    Sumi ink on paper
    38 x 50 inches - 96.5 x 127 cm (unframed)
    41 1/2 x 53 1/2 x 1 3/4 inches - 105.4 x 135.9 x 4.4 cm (framed)
  • Albert Oehlen, Dying Chrysuntemum, 1999
    Albert Oehlen
    Dying Chrysuntemum, 1999
    Oil on Canvas
    74 ¾ x 74 ¾ inches – 190 x 190 cm (unframed)
    76 ¾ x 76 ¾ x 2 inches – 195 x 195 x 5 cm (framed)
    Titled “Dying Chrysuntemum” on the reversed
  • VIEIRA DA SILVA Maria Helena, Untitled, 20 century
    VIEIRA DA SILVA Maria Helena
    Untitled, 20 century
    Gouache on cardboard board
    37 x 43 cm
  • Hans BELLMER, Visage et bas rayés, 20-03-1962
    Hans BELLMER
    Visage et bas rayés, 20-03-1962
    Pencil on paper
    19 x 16 cm
    7 1/2 x 6 1/4 in.
    Signed lower left Hans Bellmer and dated lower right 20.III.62
  • Sol LEWITT, Lines in Color, 2004
    Sol LEWITT
    Lines in Color, 2004
    Gouache on paper
    60 1/4 x 40 1/8 in
    153 x 101.9 cm
    Signed lower right: S. LeWitt
  • Jean DUBUFFET, Escalier I, 3 march 1967, reworked on the 18th, 19th and 20th April 1967
    Jean DUBUFFET
    Escalier I, 3 march 1967, reworked on the 18th, 19th and 20th April 1967
    Vynil on canvas
    130 x 97 cm
    Signed and dated lower left
  • Hans (Jean) ARP, Pflanzengriffel (Pistil), 30-04-1959
    Hans (Jean) ARP
    Pflanzengriffel (Pistil), 30-04-1959
    Bronze with brown patina
    34 5/8 x 15 3/4 x 14 1/8
    87.9 x 40 x 35.9 cm
    Monogrammed HA and numbered II/III stamped on the inside
    Conceived in 1950
    Cast by Rudier on the 30th of April, 1959
  • Baltasar LOBO, La Conversation, c. 1940
    Baltasar LOBO
    La Conversation, c. 1940
    Ink and wash on paper
    36 x 56 cm (14 ¼ x 22 in)
    Signed upper left Lobo
  • Baltasar LOBO, Étude de nu, c. 1960
    Baltasar LOBO
    Étude de nu, c. 1960
    Watercolour on paper
    Signed and dedicated Pour Bella et Roger Belbeoch – Bien amicalement Lobo
    26 x 35 cm (10 ¼ x 13 ¾ in)
  • Francis PICABIA, Untitled (Espagnole), ca. 1923-1924
    Francis PICABIA
    Untitled (Espagnole), ca. 1923-1924
    Crayon, ink and watercolor on paper
    42,4 x 29,5 cm
    16 ¾ x 11 5/8 in
    Signed lower right "Francis Picabia"
  • Serge Poliakoff, Composition Abstraite (Gris monochrome), ca. 1958
    Serge Poliakoff
    Composition Abstraite (Gris monochrome), ca. 1958
    gouache on paper
    24 3/8 x 18 1/2 in
    62 x 47 cm
    Signed lower right: Serge Poliakoff
  • Henri MATISSE, Nu debout, February 1951
    Henri MATISSE
    Nu debout, February 1951
    Charcoal on paper (double-sided)
    65,3 x 50,2 cm
    25 ¾ x 19 ¾ in.
    Signed and dated lower left “H. Matisse fev-51”
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